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Title
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en_US
Francis Barlow: First Master of English Book Illustration
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Description
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en_US
This is a hardbound book (hard cover)
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en_US
This book has a dust jacket (book cover)
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en_US
Edward Hodnett
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Creator
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en_US
Hodnett, Edward
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Contributor
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en_US
Barlow, Francis
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Date
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2016-01-25T20:15:51Z
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en_US
1997-02
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en_US
1978
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Date Available
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2016-01-25T20:15:51Z
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Date Issued
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en_US
1978
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Abstract
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en_US
After a chapter on Barlow's career, Hodnett surveys book illustration in England before 1700 and then examines in two chapters three important artists: Gheeraerts, Cleyn, and Ogilby. Two chapters are then dedicated to minor works of Barlow and Theophila. By Chapter VII, Hodnett is ready to look carefully at Hollar and then, in Chapter VIII, at Barlow's Aesop's Fables. A final chapter investigates more carefully Barlow's designs for Ogilby's Aesopics and Androcleus and Barlow's Life of Aesop series. Good stuff! Hodnett starts off by noting that the four etchers need to be considered together -- Gheeraerts, Cleyn, Hollar, and Barlow -- and they need to be viewed as interpreters of the literary scene they are illustrating. This book is mainly concerned with his [Barlow's] work as an interpretive illustrator (11). The final sentence in the chapter on illustration before 1700 is telling: Of the artists resident in England between the introduction of printing in 1476 and 1700 not one can be said to be a significant book illustrator except Gheeraerts, Cleyn, Hollar, and Barlow (55). The climax of reading this book, for me at least, has been walking through Chapter VIII on Aesop's fables. The book is gloriously illustrated. Hodnett is a first-rate art historian and a very good critic. He makes sense of each of the four great etchers. I am now so proud to have a 1666 Barlow in the collection!
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Identifier
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en_US
9780520934092
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en_US
8219 (Access ID)
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Language
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en_US
eng
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Publisher
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en_US
University of California Press
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en_US
Berkeley, CA
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Subject
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en_US
NC978.5.B37 H63 1978
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en_US
Secondary
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en_US
Title Page Scanned
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Type
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en_US
Book, Whole