Works Cited

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Ukpokodu, I. P. (2000). African American Males in Dance, Music, Theater, and Film. The Annals of the American Academy of Political and Social Science, 569, 71–85. http://www.jstor.org/stable/1048811 

Leab, D. J. (1975). “All-Colored”--But Not Much Different: Films Made for Negro Ghetto Audiences, 1913-1928. Phylon (1960-), 36(3), 321–339. https://doi.org/10.2307/274396 

Lyman, S. M. (1990). Race, Sex, and Servitude: Images of Blacks in American Cinema. International Journal of Politics, Culture, and Society, 4(1), 49–77. http://www.jstor.org/stable/20006980 

Wallace, M. F. (2003). The Good Lynching and “The Birth of a Nation”: Discourses and Aesthetics of Jim Crow. Cinema Journal, 43(1), 85–104. http://www.jstor.org/stable/1225932 


Klotman, P. R. (1978). About Black Film... Black American Literature Forum, 12(4), 123–127. https://doi.org/10.2307/3041504